Presonus StudioLive 64S

DESCRIPTION

With the 64-channel StudioLive® 64S and a full suite of integrated software, PreSonus® delivers the most powerful and flexible digital console available for installed sound, touring, and recording—and the best value. Powered by the PreSonus quad-core FLEX DSP Engine, no other mixer can match its 128-channel (64x64) USB recording, 76 mixing channels, 43 buses, and an astounding 526 processors. Features such as password-protected user profiles for restricting feature access and mixer scenes organized by project, make the StudioLive 64S ideal for installed sound. Thanks to built-in AVB networking, the StudioLive 64S integrates with stage boxes, personal monitor mixers, switches, and more. Managing 76 total inputs is easy with 32 FlexMixes and 24 DCA groups. The Fat Channel processing section offers expandable plug-ins with vintage-style EQ and compression options on every channel and output bus.

FEATURES

• The most powerful and flexible digital console available for installed sound, touring, and recording with quad-core FLEX DSP Engine powering 526 simultaneous processors
• Fully recallable with touch-sensitive motorized faders
• Built-in AVB networking to create a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, other Studiolive Series III mixers, and the SW5E AVB switch
• Built-in 128-channel (64x64) USB interface—the most of any digital mixer on the market
• Onboard multitrack SD Card recorder with true Virtual Soundcheck
• 32 FlexMixes (aux mixes, subgroups, or matrix mixes)
• FLEX FX multieffects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
• Complete professional solution: suite of integrated software, including Studio One® Artist DAW

Inputs

LINE INPUT CONNECTION TYPE 1/4" TRS Female, Balanced LINE INPUTS FREQUENCY RESPONSE 20-20 kHz (±0.5 dBu at Unity Gain) LINE INPUTS IMPEDANCE 10 kΩ LINE INPUTS MAXIMUM LEVEL =+18 dBu LINE INPUTS SIGNAL TO NOISE RATIO 94 dB (Ref =+4 dB, 20 kHz BW, Unity Gain, A-Weighted) LINE INPUTS TOTAL HARMONIC DISTORTION <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted MICROPHONE INPUT CONNECTION TYPE XLR Female, Balanced MICROPHONE PREAMP COMMON MODE REJECTION RATIO 65 dB (1 kHz at Unity Gain) MICROPHONE PREAMP FREQUENCY RESPONSE 20-20 kHz (±0.5 dBu at Unity Gain) MICROPHONE PREAMP GAIN CONTROL RANGE 0 dB to +60 dB (±1 dB) MICROPHONE PREAMP INPUT IMPEDANCE 1 kΩ MICROPHONE PREAMP MAXIMUM INPUT LEVEL =+12 dBu (Unity Gain) MICROPHONE PREAMP SIGNAL TO NOISE RATIO 94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted) MICROPHONE PREAMP TOTAL HARMONIC DISTORTION <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted TAPE MAXIMUM INPUT LEVEL =+12 dBu, ±0.5 dBu  

Outputs

HEADPHONE OUTPUTS FREQUENCY RESPONSE 20 Hz to 20 kHz, +/-0.5 dB HEADPHONE OUTPUTS MAXIMUM OUTPUT 100 mW/ch. @ 60Ω load HEADPHONE OUTPUTS SIGNAL TO NOISE RATIO 96 dB, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted HEADPHONE OUTPUTS TOTAL HARMONIC DISTORTION 0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted LINE OUTPUTS CONNECTION TYPE 1/4" TRS Female, Balanced LINE OUTPUTS MAXIMUM OUTPUT LEVEL +18 dBu, ±0.5 dBu LINE OUTPUTS OUTPUT IMPEDANCE 100 Ohms TAPE MAXIMUM OUTPUT LEVEL =+18 dBu, ±0.5 dBu TAPE OUTPUT IMPEDANCE  

Hardware

DIGITAL AUDIO AES EBU OUTPUT XLR Male DIGITAL AUDIO AVB AUDIO NETWORK PORTS Locking XLR Ethernet DIGITAL AUDIO BLUETOOTH INPUT 4.1, Stereo DIGITAL AUDIO NETWORK CONTROL PORT RJ-45 DIGITAL AUDIO USB RECORDING PORT USB 2.0, Type-B TAPE CONNECTION TYPE RCA Female, Unbalanced (Stereo Pair)